In Memoriam

Kato Tsubusa (1962-2025)
September 25, 2025
In Memoriam

Porcelain has long been synonymous with refinement: delicate, serene, elegant, tranquil. In short, perfection. Yet Kato Tsubusa’s porcelain, equally beautiful, charted a radically different path. His sculptures in white porcelain, often accented with the faintest whisper of pale blue celadon glaze, rejected stillness in favor of motion, and luxury in favor of daring form. Sweeping dramatically through space, they challenged porcelain’s reputation for calm restraint. Some took the guise of “vases” or “platters,” yet their razor-sharp edges and daunting fragility transformed them into provocations rather than functional objects. From the age of 21, Kato devoted himself exclusively to the most demanding of mediums: white porcelain clay.


Kato embraced porcelain at its most fragile, pushing it to the limits of possibility. He shaped long, unsupported strips of clay into forms that seemed to defy gravity: gestures alive with the energy of calligraphy. Serrated, knife-like edges (his unmistakable signature) suggested glacial landscapes, while luminous surfaces evoked the shimmer of minerals, paradoxically rendered in an opaque medium. In these works, he revealed the extraordinary versatility of clay, expanding porcelain beyond tradition into uncharted sculptural expression.

 

Kato Tsubusa 加藤委, Square Bowl Form, 2018

 

Our gallery was privileged to share a long and meaningful relationship with Kato, from with his solo exhibition in February 2006, when we were located in 249 east 48th St., and continuing through to 2019 at our current location at 18 east 64th St., when his Moon Series was presented in New York for Asia Week. These luminous ceramic works, inspired by the profound experience of gazing at the moon, placed his practice within a global artistic dialogue and left a lasting impression on audiences. Below are reflections from this series: 


Japan has a long tradition of celebrating the moon and its phases. Kato’s exhibition of his Moon series began in Hokkaido in 2019, then traveled to the Sapporo Art Park, the Mombetsu City Museum of Natural History, and the Kushiro Art Museum. In Hokkaido especially, the high altitude draws the moon closer. On clear nights, one is able to see its surface with heightened clarity. The moon is sacred, and Kato’s five unique moons embody the profound emotions it evokes.
 
Kato Tsubusa, Sculpture "Kyogoku-Moon" No.10, 2019. 
 
In this series, Kato used ceramic not only as a medium but as a way of evoking the moon’s emotional connection to humanity. To understand the moon requires more than vision alone- a popular motif throughout art history: In 1874, James Nasmyth and James Carpenter famously photographed sculptures of the moon rather than the night sky itself, believing this would teach us more about its mysteries. Similarly, artists such as Kiki Smith explored lunar themes in the 1990s and 2000s, presenting the moon as a subjective, intimate presence within the cosmos. Together, such works remind us that one view of the moon is never enough; its shifting surface continually conjures fleeting forms we imagine in its craters.
 
Kato’s Moon Series placed ceramic sculpture within this global artistic conversation. His celadon glazes arrest the gaze, pulling the viewer into an intimate encounter of imagination and emotion. Each encounter remains a singular moment between you and the work. This is precisely what it feels like to admire the moon.
 

Kato Tsubusa passed away unexpectedly in September 2025 at the age of 63, leaving behind a body of work that forever transformed the language of contemporary porcelain. We remain in deep gratitude for his life and for the vision of contemporary celadon that he shared with the world.

 

Video of Kato Tsubusa in his studio in 2019: 

 

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