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Tsubo: Asia Week New York: The Art of Vessels

Past exhibition
1 September - 27 October 2022
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Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Open a larger version of the following image in a popup: Murata Gen 村田 元, Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺

Murata Gen 村田 元 Japanese, 1904-1988

Jar, Black Iron on Rice Husk Glaze 糠白釉鉄砂黒文壺
Stoneware
H10” x Dia9.9”x Lip Dia5.5"
H25.4 x Dia25.1 x Lip Dia13.9 cm
With Signed Wood Box
Sold

Further images

  • (View a larger image of thumbnail 1 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 2 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 3 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 4 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 5 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 6 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 7 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 8 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 9 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 10 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 11 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 12 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982
  • (View a larger image of thumbnail 13 ) Morino Taimei 森野泰明, Rust Red Iron Glazed Square Jar 黒銹扁壺, 1982

Murata Gen was a dedicated and masterful Mingei potter. His first encounter with pottery was late, relative to many potters in his life, when he visited a folk craft exhibition showcasing Mashiko wares in 1934 Tokyo. It was then that his path took an unlikely turn, and his dreams of art were given a second chance. Inspired by the modest beauty of Mashiko pottery, he decided to relocate permanently to Mashiko in 1924, where studied for many years under Hamada Shoji and affiliated closely with the Mingei school. 


His works are known for his surface glazes and sensitive iron paintings.

Read more

Murata Gen was a dedicated and masterful Mingei potter. His first encounter with pottery was late, relative to many potters in his life, when he visited a folk craft exhibition showcasing Mashiko wares in 1934 Tokyo. It was then that his path took an unlikely turn, and his dreams of art were given a second chance. Inspired by the modest beauty of Mashiko pottery, he decided to relocate permanently to Mashiko in 1924, where studied for many years under Hamada Shoji and affiliated closely with the Mingei school.


His works are known for his surface glazes and sensitive iron paintings.

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