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Open a larger version of the following image in a popup: Tomimoto Kenkichi 富本憲吉, Painting with pattern of characters for "Wind, Flower, Snow, Moon" 風花雪月, c. 1950's
Open a larger version of the following image in a popup: Tomimoto Kenkichi 富本憲吉, Painting with pattern of characters for "Wind, Flower, Snow, Moon" 風花雪月, c. 1950's
Open a larger version of the following image in a popup: Tomimoto Kenkichi 富本憲吉, Painting with pattern of characters for "Wind, Flower, Snow, Moon" 風花雪月, c. 1950's
Open a larger version of the following image in a popup: Tomimoto Kenkichi 富本憲吉, Painting with pattern of characters for "Wind, Flower, Snow, Moon" 風花雪月, c. 1950's
Open a larger version of the following image in a popup: Tomimoto Kenkichi 富本憲吉, Painting with pattern of characters for "Wind, Flower, Snow, Moon" 風花雪月, c. 1950's

Tomimoto Kenkichi 富本憲吉 1886-1963

Painting with pattern of characters for "Wind, Flower, Snow, Moon" 風花雪月, c. 1950's
White slip painting on red dyed paper
Frame:
H25.1 × W32 in.
H63.8 × W81.3 cm
Painting :
H16.3 × W23.4 in.
H41.5 × W59.5 cm
No box / Authenticated by Tomimoto Kenkichi's grandchild
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The Living National Treasure Tomimoto Kenkichi used white slip to paint the characters Wind, Flower, Snow, Moon (風花雪月) on red dyed paper. The pictophonetic nature of Kanji offers much room...
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The Living National Treasure Tomimoto Kenkichi used white slip to paint the characters Wind, Flower, Snow, Moon (風花雪月) on red dyed paper. The pictophonetic nature of Kanji offers much room for imagination; his fluid, expressive brushwork on each radical creates a composition that verges on abstract expressionism.


A rare departure from his celebrated painted surface decoration on ceramics, Tomimoto’s pictorial sensibilities naturally extends to this rare framed painting, where his signature brushwork finds new form beyond pottery.

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