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Open a larger version of the following image in a popup: Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
Open a larger version of the following image in a popup: Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
Open a larger version of the following image in a popup: Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
Open a larger version of the following image in a popup: Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
Open a larger version of the following image in a popup: Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
Open a larger version of the following image in a popup: Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
Open a larger version of the following image in a popup: Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
Open a larger version of the following image in a popup: Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空

Tokuda Yasokichi II 2 代 徳田八十吉

Azure Sky 碧空
Porcelain
H4" x Dia 3.2"
H10.1 x Dia8.1 cm
With Signed Wood Box
Sold

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  • (View a larger image of thumbnail 1 ) Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
  • (View a larger image of thumbnail 2 ) Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
  • (View a larger image of thumbnail 3 ) Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
  • (View a larger image of thumbnail 4 ) Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
  • (View a larger image of thumbnail 5 ) Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
  • (View a larger image of thumbnail 6 ) Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
  • (View a larger image of thumbnail 7 ) Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
  • (View a larger image of thumbnail 8 ) Tokuda Yasokichi II 2 代 徳田八十吉, Azure Sky 碧空
Tokuda Yasokichi III harked from the Kutani area around Kanazawa, and was designated in 1997 for his production of colourful porcelain (saiyu jiki). Peerless among Japanese ceramicists, Tokuda Yasokichi III...
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Tokuda Yasokichi III harked from the Kutani area around Kanazawa, and was designated in 1997 for his production of colourful porcelain (saiyu jiki). Peerless among Japanese ceramicists, Tokuda Yasokichi III uses pigmented glazes on simple forms to create the deep colour of his show-stopping pieces. Passed directly from grandfather to grandson, these glazes were developed by Tokuda Yasokichi I and given with the advice that they would provide for his grandson’s future. Tokuda Yasokichi III has certainly made the best of his family’s techniques through both his own work and that of his studio. His work continues the tradition of colourful decoration that characterises Kutani ware but in a uniquely contemporary way.


The Kutani canon is famous for its polychrome enamels and glazes. Tokuda’s technique allowed him to control the suffusion of Kutani color glazes to a very high degree, creating precise color compositions that blended one color seamlessly to the next. His saiyu jiki rendered an effect that blurred the lines between design, high art, and craft. Today, his daughter, Tokuda Yasokichi IV continues on the legacy of Kutani ware in Japan with her own unique take on the porcelain type.


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