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Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Open a larger version of the following image in a popup: Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指

Hara Kiyoshi 原 清 b. 1936

Water jar with lines on white slip 白掻落線文水指
Glazed stoneware
H5 3/4 × W6 1/2 in.
H14.6 × W16.6 cm
With signed wood box, Lid repaired
Sold

Further images

  • (View a larger image of thumbnail 1 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 2 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 3 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 4 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 5 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 6 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 7 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 8 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 9 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 10 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 11 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 12 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 13 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
  • (View a larger image of thumbnail 14 ) Hara Kiyoshi 原 清, Water jar with lines on white slip 白掻落線文水指
Born in Shimane, the potter Hara Kiyoshi was taught by two Living National Treasures Ishiguro Munemaro from 1954, and later on, Shimizu Uichi. Their influences shine in their skill over...
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Born in Shimane, the potter Hara Kiyoshi was taught by two Living National Treasures Ishiguro Munemaro from 1954, and later on, Shimizu Uichi. Their influences shine in their skill over glazes. Likewise, Hara has mastered several glazes over stoneware in his utilitarian wares. From the 1980s, he began to carve out his signature style by honing a signature semi-opaque blue glaze, and with images of horses. His immersion into ceramics over both porcelain and stoneware has earned him a Bearer of Intangible Cultural Heritage in 2005.


He opened his own kiln in Setagaya, Tokyo in 1965. Hara is a member of the Japan Kogei Association after having exhibited extensively with an illustrious career consisting of solo exhibitions at Takashimaya, Mitsukoshi Nihonbashi, and other institutions who are pillars of Japanese ceramics.

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