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Chawan (Tea bowls)

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Open a larger version of the following image in a popup: Kakurezaki Ryuichi 隠崎隆一, Black tea bowl with natural ash effects
Open a larger version of the following image in a popup: Kakurezaki Ryuichi 隠崎隆一, Black tea bowl with natural ash effects
Open a larger version of the following image in a popup: Kakurezaki Ryuichi 隠崎隆一, Black tea bowl with natural ash effects
Open a larger version of the following image in a popup: Kakurezaki Ryuichi 隠崎隆一, Black tea bowl with natural ash effects
Open a larger version of the following image in a popup: Kakurezaki Ryuichi 隠崎隆一, Black tea bowl with natural ash effects
Open a larger version of the following image in a popup: Kakurezaki Ryuichi 隠崎隆一, Black tea bowl with natural ash effects
Open a larger version of the following image in a popup: Kakurezaki Ryuichi 隠崎隆一, Black tea bowl with natural ash effects

Kakurezaki Ryuichi 隠崎隆一 b. 1950

Black tea bowl with natural ash effects
Stoneware
3 3/8 × 5 5/16 × 4 11/16 in. (8.6 × 13.5 × 11.9 cm)
With signed wood box, artist sign impressed at base
Inquire
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Born in Nagasaki in 1950, Kakurezaki first studied design before turning to ceramics, later apprenticing under Jun Isezaki, a Living National Treasure of Bizen ware. Through exceptional talent and relentless...
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Born in Nagasaki in 1950, Kakurezaki first studied design before turning to ceramics, later apprenticing under Jun Isezaki, a Living National Treasure of Bizen ware. Through exceptional talent and relentless dedication, he has redefined the possibilities of Bizen, developing a strikingly contemporary yet deeply rooted aesthetic. His achievements include prestigious honors such as the MOA Okada Mokichi Award Excellence Prize and the Japan Ceramic Society Award.



This particular work represents one of Kakurezaki’s highest-level creations. The form is powerfully animated yet tightly composed, creating a sense of tension and balance that commands attention. The surface is a masterful orchestration of kiln effects—where his signature “black” series reveals a dramatic interplay of textures and tones. Subtle blue iridescence emerges through flowing goma ash deposits, while deep, lustrous black areas evoke both strength and refinement.


The result is a commanding, daimyo-class tea bowl—rich in presence, complexity, and individuality. It is a piece that not only reflects the artist’s mastery over fire and clay, but also offers a profound visual experience that continues to unfold with each viewing.

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