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Chawan (Tea bowls)

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Open a larger version of the following image in a popup: YAMADA Hiroki 山田洋樹, No.2 White shino teabowl, 2024
Open a larger version of the following image in a popup: YAMADA Hiroki 山田洋樹, No.2 White shino teabowl, 2024
Open a larger version of the following image in a popup: YAMADA Hiroki 山田洋樹, No.2 White shino teabowl, 2024
Open a larger version of the following image in a popup: YAMADA Hiroki 山田洋樹, No.2 White shino teabowl, 2024
Open a larger version of the following image in a popup: YAMADA Hiroki 山田洋樹, No.2 White shino teabowl, 2024
Open a larger version of the following image in a popup: YAMADA Hiroki 山田洋樹, No.2 White shino teabowl, 2024
Open a larger version of the following image in a popup: YAMADA Hiroki 山田洋樹, No.2 White shino teabowl, 2024
Open a larger version of the following image in a popup: YAMADA Hiroki 山田洋樹, No.2 White shino teabowl, 2024

YAMADA Hiroki 山田洋樹 Japanese, b. 1972

No.2 White shino teabowl, 2024
Stoneware
H3 1/2 × Dia 5 1/2in.
H8.8 × Dia 14 cm
With Signed Wood Box
Inquire
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Yamada Hiroki's debut into the world of pottery was as extraordinary as his work. Initially pursuing a conventional and respected career as a judicial scrivener and a researcher in biofunctional...
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Yamada Hiroki's debut into the world of pottery was as extraordinary as his work. Initially pursuing a conventional and respected career as a judicial scrivener and a researcher in biofunctional engineering, Yamada's life was transformed when he encountered Shino pottery by chance. Captivated by its beauty, he left behind his stable profession and devoted himself to mastering this ancient art form.

Yamada's work stands out for capturing the true essence of Shino with the tone and spirit of a contemporary ceramicist. Despite his traditional background, Yamada’s shift to pottery and his creations reflect a deep and necessary passion that borders on the wild and irrational, which is something he considers to be an essential quality in the world of honest expression through ceramics.


In an era where few artists truly embody the "classical pottery" ideal, Yamada has uniquely mastered the “correct” glaze quality of Shino in the Momoyama period sense. His scholarly, research-based analytical approach and structural understanding of the medium- inspired by the likes of the celebrated potter Arakawa Toyozo- suggests that his future works hold extraordinary promise. The emergence of an artist so deeply committed to the authentic tradition of Shino is a remarkable and welcome addition to the contemporary Japanese ceramics scene.


1972  Born in Aichi Prefecture, Japan
1995  Graduated from Nagoya University, Engineering Bachelor's Degree
1997  Completed Master's degree in Nagoya University Graduate School
2006  Became a judicial scrivener and land and house investigator
2008  Studied under the 14th founder of Mino Ceramics, Kato Yasukage
2012   Independent

2015   First solo exhibition at the Matsuzakaya Nagoya Department Store

          Since then, solo exhibitions and joint exhibitions at other department stores

    Awarded a prize at the Contemporary Tea Ceramic Exhibition


Currently making pottery in Nakatsugawa City, Gifu Prefecture


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