Shigematsu Ayumi 重松あゆみ b. 1958
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Born in 1958, Shigematsu Ayumi is an internationally acclaimed ceramic artist and a leading figure among post-war Japanese women artists. After studying under Sodeisha pioneer Suzuki Osamu (1926–2001) at Kyoto University of the Arts, she became one of the institution’s first female ceramics professors.
Her work reinterprets Jomon ceramic traditions, particularly Suien (smoke) and Kaen (flame) wares. Drawing on their rounded loops, handles, and organic curves, she creates large-scale sculptures that fold and overlap. She also uses the body as a vehicle for expressing history. As she explains in an interview:
“In my work, I explore abstract forms that can be achieved solely through the medium of string-making ceramic modeling. This involves utilizing the foundational elements of the bracelet pattern. The continuous inner and outer structure evokes an image of a “Calvin Klein perfume bottle,” with holes as the basic elements. On the other hand, the tubular structure also serves as a metaphor for progress, growth while also evoking associations with the human body. The holes at the openings also give the impression of sensory organs, akin to those of swallowing, speaking, and hearing, mirroring the role of the human mouth and ears as conduits between the external and internal realms.”