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Intangible Heritage: Asia Week New York: The Art of Japan's Living National Treasures

Past exhibition
1 - 24 March 2023
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Open a larger version of the following image in a popup: Yoshita Minori 吉田美統, Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文
Open a larger version of the following image in a popup: Yoshita Minori 吉田美統, Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文
Open a larger version of the following image in a popup: Yoshita Minori 吉田美統, Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文
Open a larger version of the following image in a popup: Yoshita Minori 吉田美統, Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文
Open a larger version of the following image in a popup: Yoshita Minori 吉田美統, Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文
Open a larger version of the following image in a popup: Yoshita Minori 吉田美統, Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文
Open a larger version of the following image in a popup: Yoshita Minori 吉田美統, Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文
Open a larger version of the following image in a popup: Yoshita Minori 吉田美統, Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文
Open a larger version of the following image in a popup: Yoshita Minori 吉田美統, Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文
Open a larger version of the following image in a popup: Yoshita Minori 吉田美統, Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文

Yoshita Minori 吉田美統 b. 1932

Vessel with Yurikinasai Decoration (Gold Leaf) 釉裏金彩椿文
Porcelain
H8.1”xDia8.5”x Lip Dia3.8”
H20.5 x Dia21.5 x Lip Dia 9.6 cm
With Signed Wood Box
Designated LNT in 2001
Sold

Further images

  • (View a larger image of thumbnail 1 ) Imaizumi Imaemon XIII 十三代今泉今右衛門, Vase with Overglaze Enamel Decoration and Flora 色絵 花瓶
  • (View a larger image of thumbnail 2 ) Imaizumi Imaemon XIII 十三代今泉今右衛門, Vase with Overglaze Enamel Decoration and Flora 色絵 花瓶
  • (View a larger image of thumbnail 3 ) Imaizumi Imaemon XIII 十三代今泉今右衛門, Vase with Overglaze Enamel Decoration and Flora 色絵 花瓶
  • (View a larger image of thumbnail 4 ) Imaizumi Imaemon XIII 十三代今泉今右衛門, Vase with Overglaze Enamel Decoration and Flora 色絵 花瓶
  • (View a larger image of thumbnail 5 ) Imaizumi Imaemon XIII 十三代今泉今右衛門, Vase with Overglaze Enamel Decoration and Flora 色絵 花瓶
  • (View a larger image of thumbnail 6 ) Imaizumi Imaemon XIII 十三代今泉今右衛門, Vase with Overglaze Enamel Decoration and Flora 色絵 花瓶
  • (View a larger image of thumbnail 7 ) Imaizumi Imaemon XIII 十三代今泉今右衛門, Vase with Overglaze Enamel Decoration and Flora 色絵 花瓶
  • (View a larger image of thumbnail 8 ) Imaizumi Imaemon XIII 十三代今泉今右衛門, Vase with Overglaze Enamel Decoration and Flora 色絵 花瓶
  • (View a larger image of thumbnail 9 ) Imaizumi Imaemon XIII 十三代今泉今右衛門, Vase with Overglaze Enamel Decoration and Flora 色絵 花瓶
  • (View a larger image of thumbnail 10 ) Imaizumi Imaemon XIII 十三代今泉今右衛門, Vase with Overglaze Enamel Decoration and Flora 色絵 花瓶
The colorful work of Yoshita Minori belies its Kutani origin. As the third generation head of the Kinzan Kiln, Yoshita Minori now bears the torch of carrying on the Yuri-kinsai...
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The colorful work of Yoshita Minori belies its Kutani origin. As the third generation head of the Kinzan Kiln, Yoshita Minori now bears the torch of carrying on the Yuri-kinsai technique. This glaze type translates to “gold colors beneath” and was developed in the mid 1960s. Yoshita was designated in 2001 for this under-glaze gold decoration. Using gold foil, the decoration is shaped and applied to his vessels. These are then glazed and fired, locking the gold in position. The decoration is rich but its restrained use against subtle background colors creates ceramics of quiet elegance and originality.


Unlike typical brushed-on gold leaf decoration, the Yuri-kinsai technique provides a slight relief on the clay surface, creating a subtle drop-shadow glow against the polychrome background. Gold leaf is an extremely fragile material, even more so when adhered to the surface of an unglazed vessel. It requires an extraordinarily steady hand followed by very precise heat control during the firing process to get the desired outcome with Yuri-kinsai. Yoshita developed his own technique to enhance the ephemeral and lightweight look of the gold leaf. He applies it using alternating layers of thick and thin gold leaf prior to firing. The thin layers melt slightly into the glaze during firing, creating a transparent effect while the thick layer remains opaque.


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