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Open a larger version of the following image in a popup: Isezaki Jun 伊勢崎淳, Bizen Jar 備前壺
Open a larger version of the following image in a popup: Isezaki Jun 伊勢崎淳, Bizen Jar 備前壺
Open a larger version of the following image in a popup: Isezaki Jun 伊勢崎淳, Bizen Jar 備前壺
Open a larger version of the following image in a popup: Isezaki Jun 伊勢崎淳, Bizen Jar 備前壺
Open a larger version of the following image in a popup: Isezaki Jun 伊勢崎淳, Bizen Jar 備前壺
Open a larger version of the following image in a popup: Isezaki Jun 伊勢崎淳, Bizen Jar 備前壺
Open a larger version of the following image in a popup: Isezaki Jun 伊勢崎淳, Bizen Jar 備前壺
Open a larger version of the following image in a popup: Isezaki Jun 伊勢崎淳, Bizen Jar 備前壺
Open a larger version of the following image in a popup: Isezaki Jun 伊勢崎淳, Bizen Jar 備前壺
Open a larger version of the following image in a popup: Isezaki Jun 伊勢崎淳, Bizen Jar 備前壺

Isezaki Jun 伊勢崎淳 Japanese, b. 1936

Bizen Jar 備前壺
Bizen stoneware
H10.2” x Dia9.4”
H26 x Dia24cm
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Bizen has had a total of five Living National Treasures over the years andthe most recent has been Isezaki Jun, who was designated in 2004. Amodern twist is granted to...
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Bizen has had a total of five Living National Treasures over the years andthe most recent has been Isezaki Jun, who was designated in 2004. Amodern twist is granted to a centuries old technique by hands of a skilled
contemporary potter.
Isezaki is also known for having revived the Anagama (single chamber firing)in 1961. The anagama is a type of single-chamber tunnel-like kiln that is duginto a hillside. It’s a firing method that suits natural wood-ash firing, fromwhich successful results are a result of both careful design and fortuitouschance. His works reflect this duality in his planned patterning whichfrequently takes on a modern, geometric quality, as well as the subtle
surface qualities of traditional Bizen clay.
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