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Open a larger version of the following image in a popup: Sakaegi Masatoshi 栄木正敏, Surface Tension Vase Series 表面張力花器: No.2 Celadon Glaze Vase –STEP- 表面張力STEP花器, 2019
Open a larger version of the following image in a popup: Sakaegi Masatoshi 栄木正敏, Surface Tension Vase Series 表面張力花器: No.2 Celadon Glaze Vase –STEP- 表面張力STEP花器, 2019
Open a larger version of the following image in a popup: Sakaegi Masatoshi 栄木正敏, Surface Tension Vase Series 表面張力花器: No.2 Celadon Glaze Vase –STEP- 表面張力STEP花器, 2019
Open a larger version of the following image in a popup: Sakaegi Masatoshi 栄木正敏, Surface Tension Vase Series 表面張力花器: No.2 Celadon Glaze Vase –STEP- 表面張力STEP花器, 2019
Open a larger version of the following image in a popup: Sakaegi Masatoshi 栄木正敏, Surface Tension Vase Series 表面張力花器: No.2 Celadon Glaze Vase –STEP- 表面張力STEP花器, 2019
Open a larger version of the following image in a popup: Sakaegi Masatoshi 栄木正敏, Surface Tension Vase Series 表面張力花器: No.2 Celadon Glaze Vase –STEP- 表面張力STEP花器, 2019
Open a larger version of the following image in a popup: Sakaegi Masatoshi 栄木正敏, Surface Tension Vase Series 表面張力花器: No.2 Celadon Glaze Vase –STEP- 表面張力STEP花器, 2019
Open a larger version of the following image in a popup: Sakaegi Masatoshi 栄木正敏, Surface Tension Vase Series 表面張力花器: No.2 Celadon Glaze Vase –STEP- 表面張力STEP花器, 2019

Sakaegi Masatoshi 栄木正敏 Japanese, 1944-2019

Surface Tension Vase Series 表面張力花器: No.2 Celadon Glaze Vase –STEP- 表面張力STEP花器, 2019
Celadon glazed porcelain
H8.5” x W3.9” x 4”
H21.7 x W10.1 x D10.6cm
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No. 2 in Sakaegi Masatoshi's (b. 1944) Surface Tension Vase series (表面張力花器). SAKAEGI Masatoshi connects surreal drips of porcelain with nature’s purification of water, as his bluish forms seep out...
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No. 2 in Sakaegi Masatoshi's (b. 1944) Surface Tension Vase series (表面張力花器).

SAKAEGI Masatoshi connects surreal drips of porcelain with nature’s purification of water, as his bluish forms seep out of angular stone. Shinto shrines also inspire this artist, who reinvents them as contemporary experiences rather than relics of a spiritual past. Certainly, there is something architectural about his work. Sakaegi owned his own design studio, which fostered talent and creativity in the porcelain and clay medium. He was a mentor to many young designers and contemporary artists, and blurred the professional boundaries between artist, designer, potter, and creative director.


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